The primary intention of “the wind rises” is to observe the passage from inertia to Momentum through a luminous, joyful lens. Repetitive patterns are employed with an eye to liberation.

The piece unfurls in the wind, the body wandering, whirling and trying to anchor itself in an empty space. The loss of bearings, the construction of new adaptive anchors, the perpetual geometry of the circuit, so many images that filter, with the aim of adding nuance to a black and white universe. The work echoes the collective inertia from which we emerge, the current squalls that shake our certainties. This project asks, how does one regain a sense of orientation in a relatively chaotic context?

(Source: La Chapelle, Scènes Contemporaines)

Today, as a human being, I feel this ambivalence of being a witness to a world whose logic and violence I no longer understand, and at the same time finding the energy and inspiration to react to it and work in my own way, instilling gentleness, kindness, generosity, compassion and pleasure.
– Manuel Roque, for JEU (Montréal)

CRÉDITS

Choreography and Performance
Manuel Roque

Understudy interpreter
Nils Levazeux

Costumes
Marilène Bastien

Lighting
Karine Gauthier

Soundtrack
Manuel Roque

Mix and Sound Advice
Pablo Geeraert

Artistic Advice and Dramaturgy
Sophie Michaud and Lucie Vigneault

Visual Materials (Photos and Video Teaser)
Robin Pineda Gould

Coproduction
La Chapelle Scènes Contemporaines

Delegate Production and Development
DLD

This project received support from the Conseil des Arts et des Lettres du Québec (CALQ) and the Conseil des Arts de Montréal (CAM).
“Le vent se lève” benefited from a technical creation residency at La Chapelle Scènes Contemporaines, Montreal.

Acknowledgements
Judith Allen, Sophie Corriveau, Hugo Dalphond, Nils Levazeux, Enora Rivière,
Pierre-Mary Toussaint

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